Task
2c Reflective Theory
After reading the reader 2 I was surprised at how many of
the theory’s discussed in the reader I am using already in my every day
practice unconsciously and how much I could learn from the theory’s I had not
tried before. I made a conscious effort to apply the theory’s I thought could
be useful and make notes on how they have affected my future practice.
I must start by discussing Moons ideas about journal writing
as this was the first of the theory’s I put into practice. I have never kept a
diary or journal of any kind and the closest experience I have to this type of
reflection would be making lists, during my first two weeks of journal writing
I was introduced to the website ‘Listhography’. I was very surprised I had not
heard of this website before and once I created my account and began making
lists I found myself on a new train of thought creating lists of things I’d not
thought of before, For example: ‘Five things to do in your lifetime’ this task
made me think about my life in a way I had not before, having only five slots
to fill I had to think very carefully about what was most important to me. I
was surprised at my own answers and it took some time and deep thinking for me
to decide upon the final five most important goals in my life. Making lists is
a great way for you to reflect when you have little time and creating the lists
suggested by Listogrophy can start a chain of reflective thinking on topics you
make not have otherwise thought of, For Example:
1.list your life to do list
2. list all the jobs you've held
3. list 20 memories you'd keep if nothing else
4. list how you've celebrated your birthdays
5. list your hardest moments in life
6. list your wish list
7. list your pet peeves
8. list crushes you've had throughout the years
9. list your favorite book, movies, and tv shows
10. list bands you've seen live
2. list all the jobs you've held
3. list 20 memories you'd keep if nothing else
4. list how you've celebrated your birthdays
5. list your hardest moments in life
6. list your wish list
7. list your pet peeves
8. list crushes you've had throughout the years
9. list your favorite book, movies, and tv shows
10. list bands you've seen live
I
spent two weeks writing a journal after work and then a further nine days using
different methods for writing, for example: lists, charts, graphs etc. I was
surprised at how much I learned day to day from my journal and how applying the
ideas I had that day to the next was really helping. Here is an excerpt from my
journal to show an example of my reflective thinking via my Diary entry and how
it has been effecting and improving my practice. Reading back over my Diary a
few weeks later I was pleasantly surprised at how I had applied the lesson
learned and how much I had progressed since then. I published one of my Diary
entries on my blog as I thought it may be helpful to others, it discusses a
particular problem I occurred during teaching and the lesson learned that I now
apply to all my classes.
Moon
talks about ‘Articulation of Reflective Practice’ and says that reflection is
real when you put it into words and it has understand and meaning. As I have
never kept a diary all my learning has happened unconsciously and I have
developed my skills along the way. After keeping a journal for 4 weeks I now
understand why Moon says it’s important to put your learning and experiences on
paper as writing is a tool we use to articulate reflective progress. I have
made significant progress through my journal and can clearly see when things
have gone wrong, why they have gone wrong and what changes I have made to my
work to achieve greater results. The excerpt above is just one example of
learning from my journal and how I have used the information to improve my
future lessons.
Learning
is the process whereby knowledge is created through the transformation of
experience. Knowledge results from the combination of grasping experience and
transforming it (Kolb 1984). Kolb’s theory ties in well with what moon says
about putting experience into words and the transforming experience part I
believe happens when we write things down. Kolb’s theory suggests that all
learning comes from experience and only then can you understand and make
progress.
As
Part of my own reflective learning I printed off KOLB’s ‘Learning Cycle’ and
stuck it to my desk in my class room.
I
thought the cycle could be very helpful to my work and decided to test it out
on one of my more challenging classes. I taught my original lesson plan then
made notes after the lesson had finished, I used the cycle to review, reflect,
conclude and plan a new lesson which I then taught and compared the
results. Here are the notes I made and
how my lesson plan changed:
Kolb
Reflective Learning Experiment
Yr8
Lesson 3 Battle Cries
Concrete Experience
·
Lesson 3: Conscription. Lesson begins with a
discussion about what conscription is and who may be affected by it during WW2.
·
Show Movie clip from ‘Ali’ about Mohammed Ali
being drafted into the war and his response.
·
Talk about Elvis being drafted into the war and
his response.
·
Class then gets themselves into groups of 5 and
creates a family scene where one receives a letter to go to war.
Reflective Observation (reviewing and
reflecting on the lesson)
Overall the lesson was good, some low level
talking in-between scenes which resulted in time being wasted. I found getting
all the students evolved in the discussion challenging as they did know enough
about world was 2 or conscription.
Students enjoyed Movie clip of Mohamed Ali conscription however I didn't have much information on Elvis and a few students asked questions I couldn't answer. My stress level was a little high throughout the lesson as I felt I had
planned a lot and we always seemed to be playing catch up as things were taking
longer than expected.
Abstract Conceptualisation (concluding
and learning from the lesson)
Pros
·
Kids were very interested in Mohamed Ali and
Elvis Presley’s conscription
·
Students enjoyed the movie clip from Ali about
his conscription trail and this fueled a good base for a class discussing.
·
Most students participated in discussion and may
point of view were shared
Cons
·
Students took too long to organize groups for a
family scene and I had to put them into groups in the end, which wasted at
least five minutes of the lesson
·
Students struggled to portray characters and didn't use their tone and body language to distinguish their characters For
example: granddad and teenage brothers often spoke and held themselves the same
way
·
Low level talking in-between scene as I didn't leave enough time for peer feedback so
students would just perform clap and move on to the next group, this
caused a lot of chat in between scenes and focus was lost
Active Experimentation (Planning/
trying out new ideas)
·
Research more facts and images about Mohamed Ali
and Elvis conscription as students seem to want to talk about this a little
more
·
In chairs work on use of tone and body language
for different characters as an exercise, giving the students examples and
discussing how tone and body language can show the audience who the character
is without dialogue. Play a guessing game of different characters from dad,
mum, granddad, sister etc
·
Cut rehearsal time by 5 minutes to allow peer
assessment of scenes performed
·
Create and use Peer Assessment cards so each
student participates in discussion and gives point of view, this should help
settle the class between scenes
Concrete
Experience (doing)
The second time I taught this lesson I
applied my new ideas and chopped and changed the lesson cutting of what did not
work and focusing more on what the students engaged in. The discussion part of
the lesson was better after delivering more information and showing more images
and of Ali and Elvis and their conscription story. The children were very
interested in the difference between their situations and more students raised
their hands and participated.
The character exercise was a struggle at
first as most students were embarrassed but after giving them a few examples
and have a few of the more confident students perform the class slowly began to
part take in the exercise and we had a lot of ideas for different characters.
This helped them out later on when they came to developing their scene and the
students used some of the examples shown earlier when performing their set
character. This I believe got them to focus more on characterization and
resulted in a clear definition between characters and their acting.
The extra time for peer assessment and
assessment cards worked well and everyone gave input, however the students were
slow in their delivery of answers and sometimes had to be prompted which took
up more of the lesson than I initially anticipated which meant I had to only
use peer assessment on some. Now the students understand the cards and how to
deliver answers for specific cards I believe it will not take as much time.
This type of analysis ties in
nicely in with Donald Schons ‘Reflection on Action’ and my experiment has
proven to me that this type of ‘Off Line’ thinking can achieve great results. A
quote by Kottcamp explains why this type of reflection has worked so well for
my drama class: Accomplishment “Off-Line” at a time when full attention can be
given to analysis and planning for future without imperative for immediate
action (Kottcamp 1990). For my drama class this was very true and allowed me to
make the most of my initial lesson plan, however If I had tried to change my
lesson plan on the spot (Reflection on Action) focus from students would have
been lost. For example: trying to find resources, more images and information
when I realized the class needed more would have lead to the students losing
focus, a break in momentum and low level talking. Time would also have been wasted
and I would have been playing catch up for the remaining time to get the work
done, raising my stress levels. However reflecting on it at the end of the day
allowed me the time needed to research the required material and to find the
best resources for the lesson, stress free.
It is when I am teaching dance
that I find myself using Schons (Reflection in Action) the most, when routines
are too complicated or sequences of steps are not flowing as well as I would
like, this is when I will change them on the spot (reflecting in action). Some
of my routines will have been prepared before class just like any other lesson
plan ( Reflection on Action) however
sometimes I will leave section out as I want the students input as a lot of my
ideas and inspiration comes from the ideas of others. Sometimes students will
suggest a sequence of steps that fits better than mine or they may move in a
way that gives me an idea for something else, this is all reflection in action
and is the method I have used to developed my dance routines and classes for
years. Tharp believes that dance is a tactical knowledge and our body’s tell us
all we need to know, ‘Creative Habit’ and the idea of muscle memory when
demonstrating a dance is a tactic knowledge (Tharp and Reiter 2006). I have
been teaching dance for six years now and will rarely stop and write out
routines, I believe a good dancer has strong muscle memory and once you have
performed the sequence of steps a few times your body automatically records the
feel of the movement making it easy to repeat at a later date. A dance teacher
once told me “if you practice a dance routine 30 times you will never forget
it” this has always stayed with me and I do believe through repetition you can
reach a level of unconsciousness when performing, it is at this stage of
unconsciousness I believe we perform our best.
Writing down dance routines has
never been my way of learning however I must recognize that not everyone can
learn through muscle memory in the same way I do. Some of my students find they
progress more from making notes at the end of the lesson and practicing at home
in their free time. This is linked with Kottcamps theory of “off-Line”
reflection and I have seen some students develop faster using this method.
Howard Gardner believes we have multiple intelligence's, For Example: Verbal,
Logical, Spatial, Interpersonal, Naturalistic etc. He also states that we have
multiple lenses in which to lean such as Visual, Auditory and Kinaesthetic
(VAK). Anything that is worth teaching can be presented in many different ways.
These multiple ways can make use of our multiple lenses (Gardner 1983). I find
this way of thinking fascinating as I know through my own experience that I
learn things better visually, if I have a visual of information I can remember
it better than to have heard the information verbally.
As a teacher I feel it is
important to understand these different methods of learning and ensure I know
which of my students progress greater with what method. I decided to try these
methods out on one of my classes, I wrote 3 methods on the board, Visual (film or documentary), Auditory (teacher leading a discussion)
and Kinaesthetic (acting out a drama
scene) and I asked the students this questions “ If you are to retain as much
information as possible about WW2 for a test and you had one of the following
ways to take the information in, which
do you feel you would learn from the most? In a class of 21 these were the
results:
Visual 8/21
Auditory 6/21
Kinaesthetic 7/21
My presumptions of how this
test would go was negative as I believed most of the students would opt for a
film just to have an easy lesson, however I believe telling the students it was
for a test and challenging them retain as much information as possible made
them think carefully about the method they selected. I was very surprised at
how evenly spread the result was which shows a variety of different learners in
the one class. I tried this out on a few classes and the results were always
evenly spread which has shown me how important it is for me to ensure I apply
all these methods to my teaching. I now try to make sure when delivering information
on a topic I deliver Visual, Auditory and Kinaesthetic ways of learning in my
lesson plan to cater for all my students.
All of these theories relay one
message in one way or another, we learn from experience and we progress through
reflection on that experience. Until I read the reader 2 I had no idea how much
I unconsciously learn from experience and having researched the mentioned
authors I can now recognize my own learning through experience. John Dewy says “Education
is not preparation for life, education is life itself” (Dewey 1934). This is an
important message that I now try to relay to my students ensuring they
understand that every experience they have is an opportunity for learning. This
made me look at my own experiences and think about the moments in my life from
which I have learned, using Listogrophy I created my top 20 most memorable
moments. I then expanded on this making notes of lessons learned from them, and
looked back over it to see what I now apply to my professional practice. We don’t
learn from experience, we learn from reflecting on experience (Dewey 1934).
This is why I knew making the list was not enough for reflection, thinking
about the lessons learned or progress made from the list was the reflective practice
required. Continual recognition, restructure and transformation of experience (Dewey
1934), this is exactly what I did with Kolbs learning cycle and the experiment
with lesson 3. I recognized what went well and what didn't, made changes to the
lesson plan and transformed my approach. The self is not something ready-made,
but something in continuous formation through choice of action (Dewey 1934). I
believe through reflection in a variety of ways I can improve my professional
practice and continually develop my skills as a teacher.
Claire what a marathon!!! You have given a lot of time and effort to actively engage with the theories presented in Part 2 to develop a greater understanding of the process of reflection and how it can be applied to your work.
ReplyDeleteMuch of the instruction that we for our jobs is down through training and repetition. However, this can be limiting to practice because it does not allow for change. On the other hand thinking through problems and experiences allows practitioners to reposition and alter the circumstances of the events.
It sounds like you are talking about that 'self' recess and then how learning can be applies to your surroundings - in the case of your classroom drama work - this could have given you insight into crafting the the lesson. Yes - some of these ideas have been out there - but it is nice to put a name to some of the inventors/experts and to be able to share with others using this more academic framing of constructivist and experience-based learning. I would encourage you now to continue to read more about these experts - Dewey, Schon, etc. as well as finding others who relate to what you do as an adult learner, as a learning professional in your discipline and as a teacher with certain age groups and curricula. The world is your oyster!
To add to this - am interested in what you make of 2d...
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